
As a six year old Rawz used to dictate stories as his mum typed them up for him on her computer.
Since he learned to type himself he has numerous written articles, blogs, poems, stories, and more. His work was printed by a commercial publisher for the first time in 2023.
See a selection of writing by Rawz below.

MUSIC FOR INCLUSION AND HEALING IN SCHOOLS AND BEYOND
CHAPTER 7: POWER & CONNECTION
Published by Oxford University Press in 2023 and collated by Pete Dale of York University, Pamela Bernard of Cambridge University, and Raphael Travis Jr. of Texas State University. The book argues that contemporary electronic-driven popular music has great value for educational, extra-scholastic, and therapeutic purposes.
Rawz was approached by the team to write Chapter 7, which he titled Power & Connection. The chapter describes his experiences of not engaging with music and the creative arts at school and how this indirectly lead to him building a successful career as a professional musician and creative artist.
The book highlights the conflation of electronic music and the social dysfunction it reflects as depreciating the genre’s positive impacts and features contributions from internationally influential scholars - notably with forwards by Mark Katz and Lucy Green.
Music for Inclusion and Healing in Schools and Beyond is available to purchase here:

Below is an exclusive preview of Rawz' chapter:
CHAPTER 7
POWER AND CONNECTION​
​
I am an MC and Poet from Oxford. I first discovered lyric writing in my early teens and I quickly began to find it essential; a way to channel my emotions and organise my thoughts. A self-guided therapy. I’ve not studied therapy academically but I developed my own strategies for processing difficult experiences and situations, some of which played out over a number of years. I live with the benefits of this therapy I created for myself every day.
​
I grew up in Oxford, I don’t feel like I'm “from" anywhere else, it’s home. When people think about Oxford, I know that they probably get an image of the University and the world-famous “dreaming spires”, the prestige and elitism. But I grew up very much on the other side of Oxford. The place I grew up in is actually one of the 10% most-deprived areas in the UK, according to the government’s index of multiple deprivations. Things like poverty and crime are higher, and life expectancy is lower than the rest of the city/county/country – it’s that stereotypical council estate area. A lot of people in these areas carry trauma, often multiple traumas. It’s argued that being in this environment is itself trauma-inducing, that makes sense to me, I have experienced some of that. Growing up, we were always in financial trouble, and I saw the emotional effect that had on my mum, who was really the only adult in my life. There were mental health issues in my family, and violence and the temptations of crime were never far from my close circles. Along with trouble at school, my friend’s various dramas and other miscellaneous stuff, it's safe to say I found some tough times. One thing that would always bring me back to where I wanted to be mentally was music.
​
TEACHERS
Music had always been a big part of my home environment, listening to music was something that I always loved doing. It had been at the back of my mind for as long as I can remember, but it was in my teens, aged about 14 or 15, that I started to consciously think about making music myself. I think I was drawn to Hip Hop lyrics because they talked about a lot of things that I was going through; poverty, dad not being around, violence, police harassment, friends being so close they felt more like family than my blood relatives did, being on the outside with no hope of finding a way in. I didn’t really hear any other forum where that was being talked about in a way I could relate to. I wanted to tell my story, to start writing my own lyrics. But I didn’t know anyone at all that was even trying to make music, I had no guidance, or any real sense of where to begin.
​
The way that I figured out how it was done was by learning other rappers’ tracks. I think the first was Coolio’s ‘Gangster’s Paradise’ – I bought it for my mum for her birthday. She liked the song but I think my reasons for choosing this present were at least a little bit selfish. I spent the next weeks and months listening to it on repeat for hours at a time, learning every single word and trying to figure out ‘How does he do this? Where do the rhymes land? How does it fit with the beat?’. I learned by copying. I didn’t have any access to instrumentals – that’s something people have quite easy access to nowadays with YouTube etc but I can remember having to rap over people like Tupac and Notorious B.I.G. so I could try out my verses.
​
I used to truant from school a lot. The first few years at secondary school were tough for me; apart from the obvious, there were a lot of difficult changes happening in my life and I think it just all got too much. Looking back, I see the school really let me down. They had low expectations of what I could achieve and I got no support at all. It didn’t seem like anyone cared if I skipped lessons, or even the whole day. They completely neglected my emotional needs and their duty to make sure I was safe. To me the thing that says it all is the fact that I dropped Music as a subject as soon as I could, I knew I loved music, and I was interested in making it, but I hated the way that it was taught in school. It was so uninspiring and geared heavily towards kids who could read music and were having lessons on piano, clarinet, or some other posh instrument outside of school (paid for by their parents of course). People like me were only allowed to play the coconuts or the wood block alongside them, if we did anything at all, it was just a boring “mess around” lesson. Plus the teacher was crazy!
​
When it came to GCSEs, my school didn’t enter me into some of them and the ones they did enter me in I didn’t do too well in. Although I got close to the highest possible marks in some of the tests (the highest possible mark on my Spoken English test which I made up on the spot), due to the examination structure at the time, I basically left school with no qualifications and went into unskilled manual work. I was making bits of money wherever I could and not getting very much fulfilment from life at all. I was just trying to exist, and contribute to my mum’s household bills whenever I could.
All through that time, I guess I always had a hope in the back of my mind that music was somehow going to work out for me. I was still always writing lyrics, and visualising a me that was good enough and confident enough to perform them on stage. Back then I was doing temporary agency work; picking in warehouses and labouring on building sites. I would write bars in my head and have to memorise those lyrics as I was walking around the warehouse, or doing whatever manual task on site. When I would get home I had to write them down straight away before they ran out of my head. I had to. It felt like something very important. Back then, not a lot of people knew that I was writing...
National Centre for Academic and Cultural Exchange:
Sharing Forgotten Stories Blog
Authored for the National Centre for Academic and Cultural Exchange (NCACE) this blog post about the Forgotten Stories project explores the motivations, creative processes, and community impact of the spoken word tour of Oxford. It highlights the role of storytelling in connecting communities to their local history and discusses the challenges and achievements in making the project accessible, particularly for marginalised audiences. The blog was published as part of NCACE’s initiative to showcase arts and community-led projects.

ON RACIST POLICING
Written in 2020 as the Black Lives Matter movement swept the globe. Rawz reflects in this blog post on his personal experiences of police racism in 21st century Oxford, UK.
When I was in my late teens, two of my best friends, two brothers, lived a 15 minute walk away from my house on the other side of my estate. I would go over to their house most days to listen to music, play PlayStation and write bars. At a certain point on my route I would always get stopped by two police officers, I mean ALWAYS. They would question me, talk down to me, search me, let me go. Never once did they find anything on me. When I would ask why I was being stopped and searched they would tell me that there had been some burglaries in the area and I fit the description. Same the next time. Same the next time. I just accepted this as part of being Black and living on a council estate. Never even thought about complaining. Sometimes I would take a longer route to avoid them. When I think about this today it was like I was hiding from a school bully. It made me hate them.
A few years earlier, the father of those two brothers, of that family, a hard working and generous tradesman, was stopped in his car by police over 200 times in one year on the bridge that leads out of our estate. There was no obvious reason for this other than that he was a lone black man in an expensive car that he took great care of. He was later successful in a harassment case against the police, but sold the car he loved because it was too much hassle.
Last year another one of my closest friends, the person that introduced me to this family was tasered by the police multiple times, including in the neck and groin and then beaten up by five police officers while he was on the floor incapacitated. One officer openly admitted to kicking my friend in the face while he was on the floor. He wrote it in his report. The body cam footage went missing.
Here is a photo of the police officers standing over my friend laughing. He is on the floor at their feet looking like a pile of rags. This is the last picture that was taken of him alive.

He was experiencing a mental health crisis which he had sought help with several times in the month or so leading up to this incident. A doctor told him he’d get over it and gave him a helpline phone number. When the police pulled up he told them he needed help. After beating him up, the police took him to the station and then put him in an ambulance without charge. The paramedics illegally changed records so he could leave the ambulance without further assessment or treatment at hospital, and then everyone went about their business like his life didn’t matter. Within a week his life was over. His daughter lost her dad and I lost one of my best mates.
These are just three stories from my personal experiences living in Oxford, England in the 21st century. I’ve got more.
Rawz' writing on this subject is further augmented by this text based on a true account given by his friend. Published by Oxford Brookes Poetry centre in 2024.

